Eternity

ETERNITY IS NOT endless time or the opposite of time. It is the essence of time. 

If you spin a pinwheel fast enough, then all its colors blend into a single color—white—which is the essence of all the colors of the spectrum combined. 

If you spin time fast enough, then time-past, time-present, and time-to-come all blend into a single timelessness or eternity, which is the essence of all times combined. 

As human beings we know time as a passing of unrepeatable events in the course of which everything passes away including ourselves. As human beings, we also know occasions when we stand outside the passing of events and glimpse their meaning. Sometimes an event occurs in our lives (a birth, a death, a marriage—some event of unusual beauty, pain, joy) through which we catch a glimpse of what our lives are all about and maybe even what life itself is all about, and this glimpse of what "it's all about" involves not just the present but the past and future too. 

Inhabitants of time that we are, we stand on such occasions with one foot in eternity. God, as Isaiah says (57:15) "inhabiteth eternity" but stands with one foot in time. The part of time where he stands most particularly is Christ, and thus in Christ we catch a glimpse of what eternity is all about, what God is all about, and what we ourselves are all about too.  

-Originally published in Wishful Thinking


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Darkness

"The people who walked in darkness have seen a great light." 

IN ONE RESPECT if in no other this metaphor of Isaiah's is a very relevant one for us and our age because we are also, God knows, a people who walk in darkness. There seems little need to explain. If darkness is meant to suggest a world where nobody can see very well—either themselves, or each other, or where they are heading, or even where they are standing at the moment; if darkness is meant to convey a sense of uncertainty, of being lost, of being afraid; if darkness suggests conflict, conflict between races, between nations, between individuals each pretty much out for himself when you come right down to it; then we live in a world that knows much about darkness. Darkness is what our newspapers are about. Darkness is what most of our best contemporary literature is about. Darkness fills the skies over our own cities no less than over the cities of our enemies. And in our single lives, we know much about darkness too. If we are people who pray, darkness is apt to be a lot of what our prayers are about. If we are people who do not pray, it is apt to be darkness in one form or another that has stopped our mouths.  

-Originally published in The Hungering Dark 


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More Than Symbol

IN ITS FULLEST sense, remembering is far more than the long backward glance of nostalgia, and in its fullest sense the symbol of bread and wine is far more than symbol. It is part of the mystery of any symbol always to contain something of the power of the thing symbolized just as it is more than a mere piece of painted cloth that makes your pulse quicken when you come upon your country's flag in a foreign land, more than a mere sound that gladdens your spirit when you hear someone speak the name of an absent friend. When in remembrance of Jesus, the disciples ate the bread and drank the wine, it was more than mere bread and wine they were dealing with, and for all the tragic and ludicrous battles Christians have fought with each other for centuries over what actually takes place at the Mass, the Eucharist, Communion, or whatever they call it, they would all seem to agree that something extraordinary takes place. Even if the priest is a fraud, the bread a tasteless wafer, the wine not wine at all but temperance grapejuice, the one who comes to this outlandish meal in faith may find there something to feed his deepest hunger, may feel stirring within himself a life even more precious, more urgent, more near than his own. 

-Originally published in The Faces of Jesus


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Good Works

BUT IF GOOD WORKS are not the cause of salvation, they are nonetheless the mark and effect of it. If the forgiven man does not become forgiving, the loved man loving, then he is only deceiving himself. "You shall know them by their fruits," Jesus says, and here Gentle Jesus Meek and Mild becomes Christ the Tiger, becomes both at once, this stern and loving man. "Every tree that does not bear good fruit is cut down and thrown into the fire," he says, and Saint Paul is only echoing him when he writes to the Galatians, "The fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control; against such there is no law." 

-Originally published in The Faces of Jesus


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Dream

A FRIEND OF mine dreamed that he was standing in an open place out under the sky, and there was a woman also standing there dressed in some coarse material like burlap. He could not see her face distinctly, but the impression that he had was that she was beautiful, and he went up to her and asked her a question. This friend of mine described himself to me once as a believing unbeliever, and the question that he asked her was the same one that Pontius Pilate asked Jesus, only he did not ask it the way you can imagine Pilate did—urbanely, with his eyes narrowed—but instead he asked it with great urgency as if his life depended on the answer, as perhaps it did. He went up to the woman in his dream and asked, "What is the truth?" Then he reached out for her hand, and she took it. Only instead of a hand, she had the claw of a bird, and as she answered his question, she grasped his hand so tightly in that claw that the pain was almost unendurable and prevented him from hearing her answer. So again he asked her, "What is the truth?" and again she pressed his hand, and again the pain drowned out her words. And then once more, a third time, and once more the terrible pain and behind it the answer that he could not hear. And the dream ended. What is the truth for the man who believes and cannot believe that there is a truth beyond all truths, to know which is to be himself made whole and true? 

-Originally published in The Hungering Dark


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