A Telling Silence

I REMEMBER ONCE going to see the movie Gandhi when it first came out. . . . We were the usual kind of noisy, restless Saturday night crowd as we sat there waiting for the lights to dim with our popcorn and soda pop, girl friends and boy friends, legs draped over the backs of the empty seats in front of us. But by the time the movie came to a close with the flames of Gandhi's funeral pyre filling the entire wide screen, there was not a sound or a movement in that whole theater, and we filed out of there—teenagers and senior citizens, blacks and whites, swingers and squares—in as deep and telling a silence as I have ever been part of. 

-Originally published in The Clown in the Belfry

Giving Prodigally

TO PRAY FOR YOUR enemies, to worry about the poor when you have worries enough of your own, to start becoming yourself fully by giving of yourself prodigally to whoever needs you, to love your neighbors when an intelligent 4th grader could tell you that the way to get ahead in the world is to beat your neighbors to the draw every chance you get—that was what this God asked, Paul wrote. That was who this God was. That was who Jesus was. Paul is passionate in his assertion, of course, that in the long run it is such worldly wisdom as the intelligent 4th grader's that is foolish and the sublime foolishness of God that is ultimately wise, and nobody heard him better than William Shakespeare did when he wove the rich fabric of King Lear around precisely this paradox. It is the Fool, Edgar, Kent, Cordelia, Gloucester—the foolish, weak, despised ones—who in their fatal loyalty to the ruined king triumph, humanly speaking, over the powerful cunning of Regan, Goneril, Edmund, and the rest of them. "Upon such sacrifices, my Cordelia, the gods themselves throw incense," Lear says to Cordelia—that is their triumph—just as, before him, Paul quoted Isaiah's "What no eye has seen, nor ear heard, nor the heart of man conceived, [that is] what God has prepared for those who love him." 

-Originally published in The Clown in the Belfry

Once Upon a Time

JESUS DOES NOT sound like Saint Paul or Thomas Aquinas or John Calvin when we hear him teaching in the Gospels. "Once upon a time" is what he says. Once upon a time somebody went out to plant some seeds. Once upon a time somebody stubbed a toe on a great treasure. Once upon a time somebody lost a precious coin. The Gospels are full of the stories Jesus tells, stories that are alive in somewhat the way the truth is alive, the way he himself is alive when Pilate asks him about truth, and his silence is a way of saying "Look at my aliveness if you want to know! Listen to my life!" Matthew goes so far as to tell us that "he said nothing to them without a parable," that is to say without a story, and then quotes the words, "I will open my mouth in parables, I will utter what has been hidden since the foundation of the world." In stories the hiddenness and the utterance are both present, and that is another reason why they are a good way of talking about God's truth which is part hidden and part uttered too. 

-Originally published in The Clown in the Belfry

The Ultimate

JESUS DID NOT say that religion was the truth or that his own teachings were the truth or that what people taught about him was the truth or that the Bible was the truth or the Church or any system of ethics or theological doctrine. There are individual truths in all of them, we hope and believe, but individual truths were not what Pilate was after or what you and I are after either unless I miss my guess. Truths about this or that are a dime a dozen, including religious truths. THE truth is what Pilate is after: the truth about who we are and who God is if there is a God, the truth about life, the truth about death, the truth about truth itself. That is the truth we are all of us after. 

-Originally published in The Clown in the Belfry

Glimpses of Joy

THE JOY BEYOND the walls of the world more poignant than grief. Even in church you catch glimpses of it sometimes though church is apt to be the last place because you are looking too hard for it there. It is not apt to be so much in the sermon that you find it or the prayers or the liturgy but often in something quite incidental like the evening the choral society does the Mozart Requiem, and there is your friend Dr. X, who you know thinks the whole business of religion is for the birds, singing the Kyrie like a bird himself—Lord, have mercy, have mercy—as he stands there among the baritones in his wilted shirt and skimpy tux; and his workaday basset-hound face is so alive with if not the God he wouldn't be caught dead believing in then at least with his twin brother that for a moment nothing in the whole world matters less than what he believes or doesn't believe—Kyrie eleison, Christe eleison—and as at snow, dreams, certain memories, at fairy tales, the heart leaps, the eyes fill.  

-Originally published in Telling the Truth