Sloth

SLOTH IS NOT TO be confused with laziness. A lazy man, a man who sits around and watches the grass grow, may be a man at peace. His sun-drenched, bumblebee dreaming may be the prelude to action or itself an act well worth the acting. 

A slothful man, on the other hand, may be a very busy man. He is a man who goes through the motions, who flies on automatic pilot. Like a man with a bad head cold, he has mostly lost his sense of taste and smell. He knows something's wrong with him, but not wrong enough to do anything about. Other people come and go, but through glazed eyes he hardly notices them. He is letting things run their course. He is getting through his life.  

- Originally published in Wishful Thinking


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The Kingdom

IF WE ONLY HAD eyes to see and ears to hear and wits to understand, we would know that the Kingdom of God in the sense of holiness, goodness, beauty is as close as breathing and is crying out to be born both within ourselves and within the world; we would know that the Kingdom of God is what we all of us hunger for above all other things even when we don't know its name or realize that it's what we're starving to death for. The Kingdom of God is where our best dreams come from and our truest prayers. We glimpse it at those moments when we find ourselves being better than we are and wiser than we know. We catch sight of it when at some moment of crisis a strength seems to come to us that is greater than our own strength. The Kingdom of God is where we belong. It is home, and whether we realize it or not, I think we are all of us homesick for it.  

- Originally published in The Clown in the Belfry


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A Book About Us

IT IS POSSIBLE to say that in spite of all its extraordinary variety, the Bible is held together by having a single plot. It is one that can be simply stated: God creates the world; the world gets lost; God seeks to restore the world to the glory for which he created it. That means that the Bible is a book about you and me, whom he also made and lost and continually seeks, so you might say that what holds it together more than anything else is us. You might add to that, of course, that of all the books that humanity has produced, it is the one which more than any other—and in more senses than one—also holds us together.  

- Originally published in The Clown in the Belfry


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Love

THE LOVE FOR equals is a human thing—of friend for friend, brother for brother. It is to love what is loving and lovely. The world smiles.  

The love for the less fortunate is a beautiful thing—the love for those who suffer, for those who are poor, the sick, the failures, the unlovely. This is compassion, and it touches the heart of the world. 

The love for the more fortunate is a rare thing—to love those who succeed where we fail, to rejoice without envy with those who rejoice, the love of the poor for the rich, of the dispossessed for those who seem to possess all. The world is always bewildered by its saints. 

And then there is the love for the enemy—love for the one who does not love you but mocks, threatens, and inflicts pain. The tortured's love for the torturer. This is God's love. It conquers the world.  

- Originally published in The Magnificent Defeat


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Funeral

IN ARAMAIC talitha cumi means "little girl, get up." It's the language Jesus and his friends probably used when they spoke to each other, so these may well be his actual words, among the very few that have come down to us verbatim. He spoke them at a child's funeral, the twelve-year-old daughter of a man named Jairus (Mark 5:35-43). 

The occasion took place at the man's house. There was plenty of the kind of sorrow you expect when anybody that young dies. And that's one of the great uses of funerals surely, to be cited when people protest that they're barbaric holdovers from the past, that you should celebrate the life rather than mourn the death, and so on. Celebrate the life by all means but face up to the death of that life. Weep all the tears you have in you to weep because whatever may happen next, if anything does, this has happened. Something precious and irreplaceable has come to an end and something in you has come to an end with it. Funerals put a period after the sentence's last word. They close a door. They let you get on with your life. 

The child was dead, but Jesus, when he got there, said she was only asleep. He said the same thing when his friend Lazarus died. Death is not any more permanent than sleep is permanent is what he meant apparently. That isn't to say he took death lightly. When he heard about Lazarus, he wept, and it's hard to imagine him doing any differently here. But if death is the closing of one door, he seems to say, it is the opening of another one. Talitha cumi. He took the little girl's hand, and he told her to get up, and she did. The mother and father were there, Mark says. The neighbors, the friends. It is a scene to conjure with. 

Old woman, get up. Young man. The one you don't know how you'll ever manage to live without. The one you don't know how you ever managed to live with. Little girl. "Get up," he says. 

The other use of funerals is to remind us of those two words. When the last hymn has been sung, the benediction given, and the immediate family escorted out a side door, they may be the best we have to make it possible to get up ourselves.  

- Originally published in Whistling in the Dark


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