Anorexia

NOTHING FOR BREAKFAST. A diet soda for lunch. Maybe a little lettuce with low-calorie dressing for supper. Or once in a while, when everybody has gone to bed, a binge on ice cream, which you get rid of in the bathroom later. Relentless exercise. Obsession with food, cooking great quantities of it for everybody except yourself. In time you come to look like a victim of Dachau—the sunken eyes and hollow cheeks, the marionette arms and calfless legs. If you are a woman, you stop menstruating. If you are told your life itself is in jeopardy, it makes no difference, because not even dying is as fearsome as getting fat, a view that the combined industries of fashion, dietetic food, and advertising all endorse. In every respect but this, you may be as sane as everybody else. In this, you are mad as a hatter. 

Anorexia seems to be a modern disease, but old phrases like pining away and wasting away suggest it may have been around unnamed for a long time. Nobody seems to know what it's all about, though there are endless theories. Young anorexics want to strike free of parental control, they say, and where does it assume a more elemental form than in "Take a bite for Mummy, a bite for Daddy"? So that is where they draw the battle line. The more desperately they are urged to eat, the more desperately they resist. Their bodies are their last citadel, and they are prepared to defend them literally to the death. Yet on the other side of it, of course, they desperately need Mummy and Daddy and are scared stiff of the very independence they are fighting to achieve. 

The craving to be free and independent. The craving to be taken care of and safe. The magic of the sickness is that it meets both these cravings at once. By not eating you take your stand against the world that is telling you what to do. By not eating you make your body so much smaller, lighter, weaker that in effect it becomes a child's body again, and the world flocks to your rescue. Is something like this at the heart of it? 

Most anorexics are young women. Feeling that a male-dominated world has given them no models for what full womanhood means, do they believe that the golden key to that Wonderland garden is to make themselves as little as Alice had to in order to pass through the tiny curtained door? Who can say for sure? 

But at least one thing is sure. By starving themselves, anorexics are speaking symbolically, and by trying above all else to make them start eating again, their families are in their own fashion speaking back the same way. Far beneath the issue of food there are, on both sides, unspoken issues of love, trust, fear, loss, separation. Father and mother, brother and sister, they are all of them afflicted together, acting out in pantomime a complex, subterranean drama whose nature they are at best only dimly aware of. And so, one way or another, are we all. 

"So then, putting away falsehood, let all of us speak the truth to our neighbors, for we are members one of one another," says the author of Ephesians (4:25), and that is the heart of the matter. 

"I need you." "I need to be myself." "I am afraid." "I am angry." "I am in pain." "Hear me." "Help me." "Let me try to help you." "Let us love one another." If we would only speak the truth to one another—parents and children, friends and enemies, husbands and wives, strangers and lovers—we would no longer have to act out our deepest feelings in symbols that none of us understand. 

In our sickness, stubbornness, pride, we starve ourselves for what we hunger for above all else. "Speaking the truth in love" is another phrase from Ephesians (4:15). It is the only cure for the anorexia that afflicts us all.   

- Originally published in Whistling in the Dark and later in Beyond Words


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Annunciation

MARY COULDN'T SAY she wasn't warned. The angel came with an Easter lily in his hand and stood so still he could have been one of the columns in the loggia where they met. Mary had trouble hearing what he said and afterward thought it might have been just a dream. Even so, it troubled her.  

It was not until later that the real trouble came. The real trouble came when what the angel announced would happen happened, but in a way she couldn't have dreamed: squatting there in the straw with her thighs wrenched apart, while out of her pain she dropped into the howling world something that looked like nothing so much as raw beefsteak: who was the one the angel had said was to be called Holy, the Son of the Most High: who was the Word itself fleshed with—of all flesh—hers.  

- Originally published in Wishful Thinking and later in Beyond Words


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Animals

OUT OF THE GROUND the Lord God formed every beast of the field and every bird of the air, and brought them to the man to see what he would call them; and whatever the man called every living creature, that was its name" (Genesis 2:19). Following Adam's lead, we say that is the elephant and the albatross, that is the weasel and the goldfish. What or who they really are we do not know because they do not tell. They do not tell because they lack what is either the gift or the curse of speech, depending on your point of view. Perhaps another reason they do not tell is that they do not know. The marmalade cat dozing among the nasturtiums presumably doesn't think of herself as a marmalade cat or as anything else for that matter. She simply is what she is and what she does. Whether she's mating under the moon or eviscerating a mouse or gazing into empty space, she seems to make herself up from moment to moment as she goes along. 

Humans live largely inside their heads, from which they tell the rest of their bodies what to do, except for occasional passionate moments when the tables are turned. Animals, on the other hand, do not seem compartmentalized that way. Everything they are is in every move they make. When a dachshund takes a shine to you, it is not likely to be because he has thought it over ahead of time. Or in spite of certain reservations. Or in expectation of certain benefits. It seems to be just because it feels to him like a good idea at the time. Such as he is, he gives himself to you hook, line, and sinker, the bad breath no less than the frenzied tail and the front paws climbing the air. Needless to say, the whole picture can change in a flash if you try to make off with his dinner, but for the moment his entire being is an act of love bordering on the beatific. 

"Ask the animals, and they will teach you," Job says to his foul-weather friends. Innocence, as above, is one of their lessons, but the one Job has in mind is another, that is, that "in [the Lord's] hand is the life of every living thing and the breath of every human being" (Job 12:7,10). When the ravens came and fed Elijah bread and meat by the brook Cherith (1 Kings 17:6), we're told they did it because the Lord commanded them to. However, I suspect that since, in spite of Poe, ravens are largely nonverbal, the Lord caused the sight of the old man to be itself the command the way the smell of breakfast is a command to be hungry or the sound of your best friend on the stair a command to rejoice. 

Elijah sat there all by himself—bald, on the run, in danger of starving to death. If the ravens could have talked, they would probably have tried to talk either the Lord or themselves out of doing anything about it. As it was, there was simply nothing for it but to bring him two squares a day till he moved on somewhere else. The sleek, black birds and the bony, intractable prophet—since all life is one life, to save another is to save yourself, and with their wings, and beaks, and throbbing birds' hearts all working at once, the ravens set about doing it.  

- Originally published in Whistling in the Dark and later in Beyond Words


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Anger

OF THE SEVEN DEADLY SINS, anger is possibly the most fun. To lick your wounds, to smack your lips over grievances long past, to roll over your tongue the prospect of bitter confrontations still to come, to savor to the last toothsome morsel both the pain you are given and the pain you are giving back—in many ways it is a feast fit for a king. The chief drawback is that what you are wolfing down is yourself. The skeleton at the feast is you.  

- Originally published in Wishful Thinking and later in Beyond Words


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Angels

SLEIGHT-OF-HAND MAGIC is based on the demonstrable fact that as a rule people see only what they expect to see. Angels are powerful spirits whom God sends into the world to wish us well. Since we don't expect to see them, we don't. An angel spreads its glittering wings over us, and we say things like, "It was one of those days that made you feel good just to be alive," or "I had a hunch everything was going to turn out all right," or "I don't know where I ever found the courage." 

- Originally published in Wishful Thinking and later in Beyond Words


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