God Makes Himself Scarce  

WHEN JESUS WEPT over the dead body of his friend Lazarus, many things seem to have been at work in him, and there seem to have been many levels to his grief. He wept because his friend was dead and he had loved him. Beneath that he wept because, as Mary and Martha both tactlessly reminded him, if he had only been present, Lazarus needn't have died, and he was not present. Beneath that, he wept perhaps because if only God had been present, then too Lazarus needn't have died, and God was not present either, at least not in the way and to the degree that he was needed. Then, beneath even that, it is as if his grief goes so deep that it is for the whole world that Jesus is weeping and the tragedy of the human condition, which is to live in a world where again and again God is not present, at least not in the way and to the degree that man needs him. Jesus sheds his tears at the visible absence of God in the world where the good and bad alike go down to defeat and death. He sheds his tears at the audible silence of God at those moments especially when a word from him would mean the difference between life and death, or at the deafness of men which prevents their hearing him, the blindness of men which prevents even Jesus himself as a man from seeing him to the extent that at the moment of all moments when he needs him most he cries out his Eloi Eloi, which is a cry so dark that of the four evangelists, only two of them have the stomach to record it as the last word he spoke while he still had a human mouth to speak with. Jesus wept, we all weep, because even when man is good, even when he is Jesus, God makes himself scarce for reasons that no theodicy has ever fathomed. 

-Originally published in Telling the Truth


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Words Without Knowledge  

IT IS OUT OF the whirlwind that Job first hears God say "Who is this that darkens counsel by words without knowledge?" (Job 42:3). It is out of the absence of God that God makes himself present, and it is not just the whirlwind that stands for his absence, not just the storm and chaos of the world that knock into a cocked hat all man's attempts to find God in the world, but God is absent also from all Job's words about God, and from the words of his comforters, because they are words without knowledge that obscure the issue of God by trying to define him as present in ways and places where he is not present, to define him as moral order, as the best answer man can give to the problem of his life. God is not an answer man can give, God says. God himself does not give answers. He gives himself, and into the midst of the whirlwind of his absence gives himself. 

-Originally published in Telling the Truth


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To Be Himself    

BUT LET HIM TAKE heart. He is called not to be an actor, a magician, in the pulpit. He is called to be himself. He is called to tell the truth as he has experienced it. He is called to be human, to be human, and that is calling enough for any man. If he does not make real to them the human experience of what it is to cry into the storm and receive no answer, to be sick at heart and find no healing, then he becomes the only one there who seems not to have had that experience because most surely under their bonnets and shawls and jackets, under their afros and ponytails, all the others there have had it whether they talk of it or not. As much as anything else, it is their experience of the absence of God that has brought them there in search of his presence, and if the preacher does not speak of that and to that, then he becomes like the captain of a ship who is the only one aboard who either does not know that the waves are twenty feet high and the decks awash or will not face up to it so that anything else he tries to say by way of hope and comfort and empowering becomes suspect on the basis of that one crucial ignorance or disingenuousness or cowardice or reluctance to speak in love any truths but the ones that people love to hear. 

-Originally published in Telling the Truth


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Real Tears    

WHEN THEY BROUGHT Jesus to the place where his dead friend lay, Jesus wept. It is very easy to sentimentalize the scene and very tempting because to sentimentalize something is to look only at the emotion in it and at the emotion it stirs in us rather than at the reality of it, which we are always tempted not to look at because reality, truth, silence are all what we are not much good at and avoid when we can. To sentimentalize something is to savor rather than to suffer the sadness of it, is to sigh over the prettiness of it rather than to tremble at the beauty of it, which may make fearsome demands of us or pose fearsome threats. Not just as preachers but as Christians in general we are particularly given to sentimentalizing our faith as much of Christian art and Christian preaching bear witness—the sermon as tearjerker, the Gospel an urn of long-stemmed roses and baby's breath to brighten up the front of the church, Jesus as Gregory Peck. 

But here standing beside the dead body of his dead friend he is not Gregory Peck. He has no form or comeliness about him that we should desire him, and as one from whom men hide their faces we turn from him. To see a man weep is not a comely sight, especially this man whom we want to be stronger and braver than a man, and the impulse is to turn from him as we turn from anybody who weeps because the sight of real tears, painful and disfiguring, forces us to look to their source where we do not choose to look because where his tears come from, our tears also come from. 

-Originally published in Telling the Truth


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Easter Thoughts    

WE WILL SPEND Easter eve afloat at our prayers, I tell them. We'll have mass on the rocks at daybreak. They sleep like rocks themselves. I sit in the bows and watch the moon glint white in the flat pool. 

At first sunlight we tuck up our cloaks and wade ashore through the shallow surf. The shepherd's loaf serves as Thy white body, his wine for Thy dark blood. A choir of wings flutters over us. I feel a fluttering behind my eyes as well. Perhaps it's the wine. We've been fasting three full days. 

"O jubilate! O jubilo!" cry the five of us to the wind. Our beards blow free. 

Clown Crosan picks stones off the beach. He juggles them grave-faced. 

"They blocked him in his grave with stones like these. They might as well have used eggs," says he. 

He follows their curved path through the air with his eyes. 

"Whoopsa! Now you don't see him, now you do!" he cries. "Fresh as dawn rose he. There's no such ugly thing at all as death for them as have their sunrise life from him." 

He lets the stones fall to his feet in a heap. 

"Huzzah for clown Christ!" cries he. He tosses his hat in the air. "Huzzah for our precious lovely zany!” 

We all throw our hats in the air save hatless Colman. 

"O kittiwake Christ!" cries Colman. "Peck Heaven open wide, dear heart, to all that yearn for Thee!"  

-Originally published in Brendan


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