Creation is Underway

LIFE WILL BE BAD for the children someday, needless to say, bad for us all before we're done, but I wake them up anyway into this rainy morning because it is not good for man to be alone and I need them more than they or I know to be whoever I am. I suppose that if the occasion presented itself, I would even die for them—not heroically like the dinner-jacketed millionaires on the Titanic helping their ladies into the last lifeboats, but just piggishly as usual, because I couldn't help myself.

I am Adam, and it is my birthday, and the world is mine to name, and Katherine, I say, and the whole creation stops breathing or starts breathing as I reach out to touch the sleeping hand. All flesh is grass and like the flower of the field fades, and yet the morning stars sing together and all the sons of God shout for joy as she raises her head and opens one eye the color of wet slate. Two is not twice one, G. K. Chesterton wrote. Two is a thousand times one. For all I know maybe it was not even good for God to be alone.

Creation is underway. Breakfast is underway. Steam from the tea kettle is fogging up the windows. The cat mews to be let in out of the wet. Getting her bathrobe hooked on the knob of a drawer as she tears by, my wife throws up her hands: "Is it going to be this kind of a day?" With my ear to the radio, I try to catch what the weather will be. Somebody is crying while somebody else says it is her own fault that she is crying. We break fast together, break bread together fast, with the clock on the wall over my wife's head tick-tocking our time away, time away. Soon it will be time to leave for school. Soon enough it will be time to leave.

-Originally published in The Alphabet of Grace  ​

Trying to Tell Us Something

THE ALPHABET OF grace is full of sibilants—sounds that can't be shouted but only whispered: the sounds of bumble-bees and wind and lovers in the dark, of whitecaps hissing up flat over the glittering sand and cars on wet roads, of crowds hushed in vast and vaulted places, the sound of your own breathing. I believe that in sibilants life is trying to tell us something. The trees, ghosts, dreams, faces, the waking up and eating and working of life, are trying to tell us something, to take us somewhere. If this is above all a Christ-making universe, then the place where we are being taken is the place where the silk purse is finally made out of the sow's ear, and the word that life is trying to speak to us is that little by little, squealing and snuffling all the way, a pig either starts turning into at least the first primal, porcine version of a hero, or else is put out of his piggish misery. At the heart of reality—who would have guessed it?—there is a room for dying and being born again.

How do I happen to believe in God? I will give one more answer which can be stated briefly. Writing novels, I got into the habit of looking for plots. After awhile, I began to suspect that my own life had a plot. And after awhile more, I began to suspect that life itself has a plot.

-Originally from The Alphabet of Grace

Morning Thoughts

DRIVING HOME FROM church one morning full of Christ, I thought, giddy in the head almost and if not speaking in tongues at least singing in tongues some kind of witless, wordless psalm, I turned on the radio for the twelve o'clock news and heard how a four year old had died that morning somewhere. The child had kept his parents awake all night with his crying and carrying on, and the parents to punish him filled the tub with scalding water and put him in. These parents filled the scalding water with their child to punish him and, scalding and scalded, he died crying out in tongues as I heard it reported on the radio on my way back from of all places church and prayed to almighty God to kick to pieces such a world or to kick to pieces Himself and His Son and His Holy Ghost world without end standing there by the side of that screaming tub and doing nothing while with his scrawny little buttocks bare, the hopeless little four-year-old whistle, the child was lowered in his mother's arms. I am acquainted with the reasons that theologians give and that I have given myself for why God does not, in the name of human freedom must not, by the very nature of things as he has himself established that nature cannot and will not, interfere in these sordid matters, but I prayed nonetheless for his interference.

"You were going to explain why you believe," the interlocutor says, not unkindly.

I believe without the miracles I have prayed for then; that is what I am explaining. I believe because certain uncertain things have happened, dim half-miracles, sermons and silences and what not. Perhaps it is my believing itself that is the miracle I believe by. Perhaps it is the miracle of my own life: that I, who might so easily not have been, am; who might so easily at any moment, even now, give the whole thing up, nonetheless by God's grace do not give it up and am not given up by it. There is maybe no such thing, old friend and adversary, as a genuine, self-authenticating experience of anything, let alone God. Maybe at the latter day my redeemer shall stand upon the earth and mine eyes shall behold him and not as a stranger, but in the meantime I behold him on the earth as a name which when I write it wakes me up weeping, as a joke too rich to tell on certain silent faces, occasionally even my own face; as a hand which I am able sometimes to believe that only the thin glove of night I wear keeps me from touching.

-Originally from The Alphabet of Grace

Artful Dodging

I HEAR THE CREAKING of a chair being tipped back on its hind legs. "Sir, this is all fairly effective in a literary sort of way, I suppose, but since you have already put most of it in a novel, I'm afraid it's a little stale."

My interlocutor is a student who under various names and in various transparent disguises has attended all the religion classes I have ever taught and listened to all my sermons and read every word I've ever written, published and unpublished, including diaries and letters. He is on the thin side, dark, brighter than I am and knows it. He is without either guile or mercy. "You know, you were just getting down to the one thing people might be interested in," he says, "because it is always interesting to hear why a man believes what he believes. But then instead of giving it to them straight, you started paraphrasing from a work of your own fiction. I've heard you do the same sort of thing in sermons. Just as you are about to reach what ought to be the real nub of the matter, you lapse off into something that in the words of one of your early reviewers is either poetry or Williams' Aqua Velva. I would hesitate to use the phrase "artful dodger" if you hadn't already used it artfully yourself. Why don't you really tell them this time? Give it to them straight?"

God. Jesus. The ministry, of all things. Why I believe. He cannot possibly want me to give it straight any more than I want myself to give it straight, get it straight once and for all. For my own sake. I tell him this, and he brushes his hand over his mouth to conceal the glimmer of a smile.

"A question then," he says. "Have you ever had what you yourself consider a genuine, self-authenticating religious experience?"

There are these things I have already mentioned—the monastery visit, the great laughter sermon, the apple tree branches. They all really happened, I tell him, and I don't see why just because I've used them already in a novel I shouldn't use them again now. And the dream of writing the name on the bar. I really dreamed it. God knows I know what he means about artful dodging, but what can be straighter than telling the actual experiences themselves? What more can he want?

"I just told you," he says, "what I want."

Not the least of my problems is that I can hardly even imagine what kind of an experience a genuine, self-authenticating religious experience would be. Without somehow destroying me in the process, how could God reveal himself in a way that would leave no room for doubt? If there were no room for doubt, there would be no room for me.

-Originally published in The Alphabet of Grace ​

Congenital Believer

I HAVE ALWAYS loved fairy tales and to this day read E. Nesbit and the Oz books, Andrew Lang and the Narnia books and Tolkien with more intensity than I read almost anything else. And I believe in magic or want to. I want flying saucers to be true, and I want life to exist on Mars, and I dream of a heaven where old friends meet and old enemies embrace one another and weep. And just at dawn in an eighteenth-century castle built of rose-colored stone in Dumfriesshire, I have reason to think I saw a ghost. All of which is to say I am a congenital believer, a helpless hungerer after the marvelous as solace and adventure and escape. I am also a fabricator, and I am willing to believe that the whole business of God in my life may be something I have fabricated out of my need for solace and adventure if not for escape because religion has never seemed escape to me. Escape would be for me to get out of religion—with all its demands and promises—rather than to get into religion. Maybe it is all just a dream. Maybe none of it is true except in some wispy sense true for me. . . . But I did get mixed up with it, and I am mixed up with it and by it still, and as I stand here in the kitchen waiting for the water to boil, waiting for the time to wake up the children, I must speak of this. Such faith as I have, where did it come from and why?

-Originally published in The Alphabet of Grace ​