The Holy in the Commonplace  

IT HAPPENED ONE day when we was coming on to some holy feast or other. I was in the kitchen yard helping cut up a pig they'd slaughtered for it the day before. I'd been there for the slaughtering as well, catching the blood in a pail for black pudding when they shoved a knife in its throat and helping drag it over to the pile of straw where they got twists for singeing off the bristle. We poured water on the carcase and scraped it and singed it again and finally with a gambrel between the hind legs hoisted it up to a crossbeam. Then a monk with yellow braids sliced open its belly and groping around up to his elbows delivered it of a steaming tubful of pink slippery insides I carted off to the kitchen in my two arms. They left it hanging overnight to cool with a sack wrapped round its long snout to keep the cats from it and the next day after matins the yellow-braid monk and I set to cutting it up, Ita being at her quern across the yard from us. Hams, trotters, eyepieces, ears for making brawn with, brains, chops—we was laying it all out in the straw when Ita come over and drew me aside to where we kept a black stone on the wall for whetting. She told me with Jarlath's leave she wanted me to go with Brendan though she didn't so much as know my name then.

"It's a smirchy sort of business you're at with that pig, some would say," she said. "There's many a monkish boy either he'd beg out of it or turn green as a toad doing it. But it's neither of those with you, I see. You could be laying the holy table for mass the way you set those cuttings out. That's the deep truth of things too no matter or not if you know it."

Ita's eyes disappeared entirely when she smiled.

"Smirchy and holy is all one, my dear," she said. " I doubt Jarlath has taught you that. Monks think holiness is monkishness only. But somewheres you've learned the truth anyhow. You can squeeze into Heaven reeking of pig blood as well as clad in the whitest fair linen in the land."

-Originally published in Brendan


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Catechism  

HE STARTED PUTTING Brendan through his monkish paces.

"Who is the Prince of Light then?" Erc asked.

"Him as is son to the King of the Stars, your honor," said Brendan.

"Which is the mightiest work of the Spirit of God?" Erc said.

"The begetting of the Prince of Light on the Queen of Glory," said Brendan.

Erc said, "Where might you find a house with fifty and a hundred windows and all of them looking out onto Heaven?"

"King David's book of psalms," Brendan said. His face was feverish pale. His lips was parted over his teeth.

Erc said, "There are three devils forever leading us into sin, boy. Would you be knowing their three names?"

"The tongue in our mouths is such a devil," Brendan said. "The eye in our heads another. The thoughts of our black hearts the third."

-Originally published in Brendan


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Angels' Music  

NOBODY EVER TRIED harder at making God hear surely.  He called on him till the veins on his neck swelled and his face went black.  He kept at it till one eye got sucked deep into the socket and the other bulged out like a berry on a stem.  He gaped his jaws at Heaven till his lips peeled back from his teeth and you could see down to where his lungs and liver was flapping like fish in a basket.  Up out of the point of his head a jet of his heart’s blood spurted black and smoking.  That’s how he told it.

“There came angels at last, Finn,” he said. “They were spread out against the sky like a great wreath.  The closest were close enough to touch nearly. The farthest were farther than the stars.  I never saw so many stars.  I could hear the stillness of them they were that still.”

I see his pinched face go silver watching. There’s silver in the hollow of his cheeks. He has silver eyes.  His shoulder-blades cast shadows dark as wings on his bony boy’s back.

“Lofty and fair beyond telling was the angels’ music,” he said.  They heard me cry and they answered me.  They weren’t singing to me of the mercy of God, Finn. Their singing was itself the mercy of God.  Do you think I could ever forget it even if I tried?"

-Originally published in Listening to Your Life


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One Step Forward  

SHE TAUGHT THEM holy matters as well. Her wood church was long as it was broad. It had a thatch on it and daubed with the gaudy doings of saints inside. It had a hewn stone for an altar and seven fine lamps on it lit day and night and a cross worked with faces and leaves twined together. Ita's voice when she sang was like a sheep caught under a gate nor could she keep a tune to save her soul from the fire but she had her little ones chirping mass to and fro so sweet as to wring tears from a limpet. All scrubbed up they was too in their snowy gowns like angels.

"May the shadow of Christ fall on thee. May the garment of Christ cover thee. May the breath of Christ breathe in thee," she told them each morning at sun-up. Winters they'd sit there with blue noses and frozen fingers and the way their breath come out of them in white puffs you could almost believe it was Christ's indeed.

True faith. A simple life. A helping hand. She said those was the three things prized most in Heaven. On earth it was a fair wife, a stout ox, a swift hound.

Beg not, refuse not, she said. One step forward each day was the way to the Land of the Blessed. Don't eat till your stomach cries out. Don't sleep till you can't stay awake. Don't open your mouth till it's the truth opens it. 

-Originally published in Brendan


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Psychotherapy  

AFTER ADAM AND EVE ate the forbidden fruit, God came strolling through the cool of the day and asked them two questions: "Where are you?" and "What is this that you have done?" Psychotherapists, psychologists, psychiatrists, and the like have been asking the same ones ever since.

"Where are you?" lays bare the present. They are in hiding, that's where they are. What is it they want to hide? From whom do they want to hide it? What does it cost them to hide it? Why are they so unhappy with things as they are that they are trying to conceal it from the world by hiding, and from themselves by covering their nakedness with aprons?

"What is this that you have done?" lays bare the past. What did they do to get this way? What did they hope would happen by doing it? What did they fear would happen? What did the serpent do? What was it that made them so ashamed?

God is described as cursing them then, but in view of his actions at the end of the story and right on through the end of the New Testament, it seems less a matter of vindictively inflicting them with the consequences than of honestly confronting them with the consequences. Because of who they are and what they have done, this is the result. There is no undoing it. There is no going back to the garden.

But then comes the end of the story, where God with his own hands makes them garments of skins and clothes them. It is the most moving part of the story. They can't go back, but they can go forward clothed in a new way—clothed, that is, not in the sense of having their old defenses again, behind which to hide who they are and what they have done, but in the sense of having a new understanding of who they are and a new strength to draw on for what lies before them to do now.

Many therapists wouldn't touch biblical teachings with a ten-foot pole, but in their own way, and at their best, they are often following them.

-Originally published in Whistling in the Dark and later in Beyond Words


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