"Creative" Writing

The following meditation is from a talk on the occasion of the presentation of the Whiting Writers' awards: 

SOMETIME IN THE early 1950s, for two years running, I taught creative writing at the summer session of the Washington Square branch of N.Y.U. . . . I was uneasy about teaching creative writing for a number of reasons, one of which was that I've never been sure that it is something that can really be taught—for better or worse, I don't think anybody ever taught it to me anyway—and another that I had absolutely no idea how to teach it right if it was. But my main uneasiness came from somewhere else. Suppose, I thought, that by some fluke I did teach it at least right enough so that maybe a couple of people, say, learned how to write with some real measure of effectiveness and power. The question then became for me what were they going to write effectively and powerfully about? Suppose they chose to write effective and powerful racist tracts or sadistic pornography or novels about warped and unpleasant people doing warped and unpleasant things? Or, speaking less sensationally, suppose they used the skills I had somehow managed to teach them to write books simply for the sake of making a name for themselves, or making money, or making a stir. It seemed to me and still does that to teach people how to write well without knowing what they are going to write about is like teaching people how to shoot well without knowing what or whom they are going to shoot at. 

-Originally published in The Clown in the Belfry


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Jonathan

WHEN KING SAUL found his oldest son, Jonathan, siding with David, whom he considered his arch-enemy, he cursed him out by saying that he had made David a friend "to your own shame, and to the shame of your mother's nakedness" (1 Samuel 20:30). They are strong words, and some have interpreted them as meaning that Saul suspected a sexual relationship between the two young men. 

This view can be further buttressed by such verses as "The soul of Jonathan was knit to the soul of David, and Jonathan loved him as his own soul" (1 Samuel 18:1) and the words David spoke when he learned of Jonathan's death, "Your love to me was wonderful, passing the love of women" (2 Samuel 1:26). When David and Jonathan said good-bye to each other for almost the last time, they "kissed one another and wept" (1 Samuel 20:41), we're told, and there are undoubtedly those who would point to that too as evidence.  

There seem to be at least three things to say in response to all this. 

The first is that both emotions and the language used to express them ran a good deal higher in the ancient Near East than they do in Little Rock, Arkansas, or Boston, Massachusetts, or even Los Angeles, California, and for that and other reasons the theory that such passages as have been cited necessarily indicate a homosexual relationship is almost certainly false. 

The second is that it's sad, putting it rather mildly, that we live at a time when in many quarters two men can't embrace or weep together or speak of loving one another without arousing the suspicion that they must also go to bed together.  

Third, in the unlikely event that there was a sexual dimension to the friendship between Jonathan and David, it is significant that the only one to see it as shameful was King Saul, who was a manic depressive with homicidal tendencies and an eventual suicide. 

Everywhere else in the Book of Samuel it seems to be assumed that what was important about the relationship was not what may or may not have been its physical side but the affection, respect, and faithfulness that kept it alive through thick and thin until finally Jonathan was killed in battle and David rent his garments and wept over him. 

(1 SAMUEL 19 – 2 SAMUEL 1, PASSIM)

-Originally published in Telling Secrets 


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Algebraic Preaching

X + Y = Z. IF YOU know the value of one of the letters, you know something. If you know the value of two, you can probably figure out the whole thing. If you don't know the value of any, you don't know much. 

Preachers tend to forget this. "Accept Jesus Christ as your personal Lord and Savior and be saved from your sins," or something like that, has meaning and power and relevance only if the congregation has some notion of what, humanly speaking, sin is, or being saved is, or who Jesus is, or what accepting him involves. If preachers make no attempt to flesh out these words in terms of everyday human experience (maybe even their own) but simply repeat with variations the same old formulas week after week, then the congregation might just as well spend Sunday morning at home with the funnies. 

The blood atonement. The communion of saints. The Holy Ghost. If people's understanding of theological phrases goes little deeper than their dictionary or catechetical definitions, then to believe in them has just about as much effect on their lives as to believe that Columbus discovered America in 1492 or that E = mc2. 

Coming home from church one snowy day, Emerson wrote, "The snow was real but the preacher spectral." In other words nothing he heard from the pulpit suggested that the preacher was a human being more or less like everybody else with the same dark secrets and high hopes, the same doubts and passions, the same weaknesses and strengths. Undoubtedly he preached on matters like sin and salvation but without ever alluding to the wretched, lost moments or the glad, liberating moments of his own life or anybody else's. 

There is perhaps no better proof for the existence of God than the way year after year he survives the way his professional friends promote him. If there are people who remain unconvinced, let them tune in their TVs to almost any of the big-time pulpit-pounders almost any Sunday morning of the year.  

-Originally published in Whistling in the Dark


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Vocation

IT COMES FROM the Latin vocare, to call, and means the work a man is called to by God.  

There are all different kinds of voices calling you to all different kinds of work, and the problem is to find out which is the voice of God rather than of Society, say, or the Super-ego, or Self-Interest.  

By and large a good rule for finding out is this. The kind of work God usually calls you to is the kind of work (a) that you need most to do and (b) that the world most needs to have done. If you really get a kick out of your work, you've presumably met requirement (a), but if your work is writing TV deodorant commercials, the chances are you've missed requirement (b). On the other hand, if your work is being a doctor in a leper colony, you have probably met requirement (b), but if most of the time you're bored and depressed by it, the chances are you have not only bypassed (a) but probably aren't helping your patients much either. 

Neither the hair shirt nor the soft berth will do. The place God calls you to is the place where your deep gladness and the world's deep hunger meet. 

-Originally published in Wishful Thinking


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Quality of Time

THE GREEK WORD chronos means "time" in a quantitative sense, chronological time, time that you can divide into minutes and years, time as duration. It is the sense that we mean when we say, "What time is it?" or "How much time do I have?" or "Time like an ever-flowing stream," in one of the hymns that we sing. But in Greek there is also the word kairos, which means "time" in a qualitative sense—not the kind that a clock measures but time that cannot be measured at all, time that is characterized by what happens in it. Kairos time is the kind that you mean when you say that "the time is ripe" to do something, "It's time to tell the truth," a truth-telling kind of time. Or "I had a good time"—the time had something about it that made me glad. The ancient poet who wrote the Book of Ecclesiastes was using time in a kairos sense when he wrote of a time to weep and a time to laugh, a time to keep silence and a time to speak. 

-Originally published in The Hungering Dark


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