No Man Is an Island

"NO MAN IS AN Island," Dr. Donne wrote, "intire of it selfe; every man is a peece of the Continent, a part of the maine; if a Clod be washed away by the Sea, Europe is the lesse, as well as if a Promontorie were, as well as if a Mannor of thy friends or of thine owne were; any mans death diminishes me, because I am involved in Mankinde; And therefore never send to know for whom the bell tolls; It tolls for thee."

Or to use another metaphor, humanity is like an enormous spider web, so that if you touch it anywhere, you set the whole thing trembling. Sometime during the extraordinary week that followed the assassination of John F. Kennedy in Dallas, the newspapers carried the story that when that crusty old warhorse, Andrei Gromyko, signed the memorial volume at the United States embassy in Moscow, there were tears in his eyes; and I do not think that you have to be either naive or sentimental to believe that they were real tears. Surely it was not that the Soviet Foreign Minister had any love for the young American President, but that he recognized that in some sense every man was diminished by that man's death. In some sense I believe that the death of Kennedy was a kind of death for his enemies no less than for his countrymen. Just as John Donne believed that any man's death, when we are confronted by it, reminds us of our common destiny as human beings: to be born, to live, to struggle a while, and finally to die. We are all of us in it together.

Nor does it need anything as cataclysmic as the death of a President to remind us of this. As we move around this world and as we act with kindness, perhaps, or with indifference, or with hostility, toward the people we meet, we too are setting the great spider web a-tremble. The life that I touch for good or ill will touch another life, and that in turn another, until who knows where the trembling stops or in what far place and time my touch will be felt. Our lives are linked together. No man is an island.

-Originally published in The Hungering Dark


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A Point of No Return

THE WORLD IS FULL of people who seem to have listened to the wrong voice and are now engaged in life-work in which they find no pleasure or purpose and who run the risk of suddenly realizing someday that they have spent the only years that they are ever going to get in this world doing something which could not matter less to themselves or to anyone else. This does not mean, of course, people who are doing work that from the outside looks unglamorous and hum-drum, because obviously such work as that may be a crucial form of service and deeply creative. But it means people who are doing work that seems simply irrelevant not only to the great human needs and issues of our time but also to their own need to grow and develop as humans.

In John Marquand's novel Point of No Return, for instance, after years of apple-polishing and bucking for promotion and dedicating all his energies to a single goal, Charlie Gray finally gets to be vice-president of the fancy little New York bank where he works; and then the terrible moment comes when he realizes that it is really not what he wanted after all, when the prize that he has spent his life trying to win suddenly turns to ashes in his hands. His promotion assures him and his family of all the security and standing that he has always sought, but Marquand leaves you with the feeling that maybe the best way Charlie Gray could have supported his family would have been by giving his life to the kind of work where he could have expressed himself and fulfilled himself in such a way as to become in himself, as a person, the kind of support they really needed.

There is also the moment in the Gospels where Jesus is portrayed as going into the wilderness for forty days and nights and being tempted there by the devil. And one of the ways that the devil tempts him is to wait until Jesus is very hungry from fasting and then to suggest that he simply turn the stones into bread and eat. Jesus answers, "Man shall not live by bread alone," and this just happens to be, among other things, true, and very close to the same truth that Charlie Gray comes to when he realizes too late that he was not made to live on status and salary alone but that something crucially important was missing from his life even though he was not sure what it was any more than, perhaps, Marquand himself was sure what it was.

There is nothing moralistic or sentimental about this truth. It means for us simply that we must be careful with our lives, for Christ's sake, because it would seem that they are the only lives we are going to have in this puzzling and perilous world, and so they are very precious and what we do with them matters enormously. Everybody knows that. We need no one to tell it to us. Yet in another way perhaps we do always need to be told, because there is always the temptation to believe that we have all the time in the world, whereas the truth of it is that we do not. We have only a life, and the choice of how we are going to live it must be our own choice, not one that we let the world make for us. Because surely Marquand was right that for each of us there comes a point of no return, a point beyond which we no longer have life enough left to go back and start all over again.

-Originally published in The Hungering Dark


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Sunset

LATE ONE WINTER afternoon as I was walking to a class that I had to teach, I noticed the beginnings of what promised to be one of the great local sunsets. There was just the right kind of clouds and the sky was starting to burn and the bare trees were black as soot against it. When I got to the classroom, the lights were all on, of course, and the students were chattering, and I was just about to start things off when I thought of the sunset going on out there in the winter dusk, and on impulse, without warning, I snapped off the classroom lights. I am not sure that I ever had a happier impulse. The room faced west so as soon as it went dark, everything disappeared except what we could see through the windows, and there it was—the entire sky on fire by then, like the end of the world or the beginning of the world. You might think that somebody would have said something. Teachers do not usually plunge their students into that kind of darkness, and you might have expected a wisecrack or two or at least the creaking of chairs as people turned around to see if the old bird had finally lost his mind. But the astonishing thing was that the silence was as complete as you can get it in a room full of people, and we all sat there unmoving for as long as it took the extraordinary spectacle to fade slowly away.

For over twenty minutes nobody spoke a word. Nobody did anything. We just sat there in the near-dark and watched one day of our lives come to an end, and it is no immodesty to say that it was a great class because my only contribution was to snap off the lights and then hold my tongue. And I am not being sentimental about sunsets when I say that it was a great class because in a way the sunset was the least of it. What was great was the unbusy-ness of it. It was taking unlabeled, unallotted time just to look with maybe more than our eyes at what was wonderfully there to be looked at without any obligation to think any constructive thoughts about it or turn it to any useful purpose later, without any weapon at hand in the dark to kill the time it took. It was the sense too that we were not just ourselves individually looking out at the winter sky but that we were in some way also each other looking out at it. We were bound together there simply by the fact of our being human, by our splendid insignificance in face of what was going on out there through the window, and by our curious significance in face of what was going on in there in that classroom. The way this world works, people are very apt to use the words they speak not so much as a way of revealing but, rather, as a way of concealing who they really are and what they really think, and that is why more than a few moments of silence with people we do not know well are apt to make us so tense and uneasy. Stripped of our verbal camouflage, we feel unarmed against the world and vulnerable, so we start babbling about anything just to keep the silence at bay. But if we can bear to let it be, silence, of course, can be communion at a very deep level indeed, and that half hour of silence was precisely that, and perhaps that was the greatest part of it all.

-Originally published in The Hungering Dark


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Do This

IT IS NOT UNUSUAL when a person dies for the people who knew him best and loved him most to try to remember the last time that they ever saw him or the last time, like Christmas for instance, or somebody's birthday, or a picnic on the beach, when they all came together, perhaps ate together, when they all were together in the special way that people who love each other are at some special moment like that. And then, as time goes by and Christmas comes round again, or that birthday, or another picnic on that same beach, the person who has since died is apt to be very much on the minds of the people who are there. They may never actually mention his name for fear of seeming sentimental or of upsetting the others or perhaps just from fear of upsetting themselves, but that does not greatly matter. Because the air rings loud, of course, with the name that they do not mention, and in a unique sense he is with them there, the absent one. He is there at least as a memory, at least as a lump in the throat, but maybe as much more than that. He may be there as a presence, a benediction, a terrible reproach, or possibly as all of these at once.

It is with something like this, I think, that you have to start if you try to understand why it is that in all of its long history and in most of its many branches, the Christian faith has made so much of the Last Supper. To begin with it was, of course, the last supper. They never all ate together again. In a sense they never even saw him again, at least not really, because within a few hours of their eating, all Hell broke loose, to put it quite literally. It was night time, and there were soldiers, and there was the fear of their own deaths as well as of his, and they were scared stiff, and so it seems unlikely that from that time forward they saw anything very clearly except their own terror or heard anything very clearly except the pounding of their own hearts. So that supper was virtually if not in fact the last time that they saw him, and they had good reason to know that it was even at the time.

Certainly he knew it, and he did not have to be omniscient to know it either. Anybody with eyes in his head could see that the Romans and the Jews alike were out to get him. He had attacked the Jews' most ancient and sacred tradition, which was their Law, and he was a threat also to what the Romans held most sacred, which was, ironically, peace in the Empire, the pax Romana. He had every reason to know that his death was upon him, and although it would seem that he could have avoided it easily enough—all that he had to do, presumably, was to get out of the city and lay low for a while—he chose to stay and die because he was convinced that this was the will of God. He felt that his death was necessary if the world was to be saved from the very evil that was destroying him.

He spoke of his death this way, and as he spoke, he performed a symbolic act, taking up the loaf of bread, breaking it in his hands, and saying, "This is my body which is broken for you"—in other words, "I die willingly, for your sake, just as I break this bread now for your sake." And then the cup of wine, which he spoke of as the blood that he would shed for them. Afterward, he invited the disciples to eat and drink this food, and with this the symbol is expanded somewhat and shifted; that is, he invites them to share in his life, to take his life into themselves, to live out in their own lives both the suffering and also the joy of it. And for all these centuries the Church has been re-enacting this last supper as a symbol of these things, a symbol of his giving his life away for the sake of the world, and a symbol of his followers' participating in this life, this giving.

-Originally published in The Magnificent Defeat


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A Child or a Saint

IN CHRIST'S PARABLE, a third man finally did come along, of course. He looked, really looked, and saw not just a man, a man, a man, but saw what was actually sprawled out there in the dust with most of the life whaled out of him. He bound up his wounds, set him on his own beast, took care of him, and his reward was to go down in fame as the Good Samaritan, which seems to be a marvelously inept title somehow, because just as I prefer to think of the priest and the Levite as less than really bad, more just half blind, in the same way I prefer to think of the Samaritan as more than merely good. I prefer to think that the difference between the Samaritan and the other two was not just that he was more morally sensitive than they were but that he had, as they had not, the eye of a poet or a child or a saint—an eye that was able to look at the man in the ditch and see in all its extraordinary unexpectedness the truth itself, which was that at the deepest level of their being, he and that other one there were not entirely separate selves at all. Not really at all.

Your life and my life flow into each other as wave flows into wave, and unless there is peace and joy and freedom for you, there can be no real peace or joy or freedom for me. To see reality—not as we expect it to be but as it is—is to see that unless we live for each other and in and through each other, we do not really live very satisfactorily: that there can really be life only where there really is, in just this sense, love. This is not just the way things ought to be. Most of the time it is not the way we want things to be. It is the way things are. And not for one instant do I believe that it is by accident that it is the way things are. That would be quite an accident.

-Originally published in The Magnificent Defeat and later in Listening to Your Life


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